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Cecily Strong’s narration carries the perfect blend of warmth and respect to match Julie Margaret Hogben’s original essay.And, as with other “Modern Love” episodes, the show’s second half gives time for the author to add some of their own reflections to a very personal exercise.One of the show’s lasting delights will be this episode’s kick-off: Timothy Simons’ impeccable delivery of Mike Lacher’s Mc Sweeney’s essay “I’m Comic Sans, Asshole.” With an entertaining reading from Robyn Clark and a chilling George V.Higgins excerpt delivered by Corddry himself (and Robert Baker’s performance of the Declaration of Independence to boot), it’s a solid example of what made the show a quality listen while it was still on the air.Taking a wider view of the political landscape and moving outside the Washington bubble, it’s an interesting parallel to the potential salves for the very political system it’s dramatizing.After initially setting their sights inward, chronicling the creation of Gimlet Media, “Start Up” has done a fine job documenting the travails of nascent businesses (last year’s Dating Ring season) and established business leaders (this season’s deep dive into the comeback attempt of former American Apparel head Dov Charney) alike.Without getting too reductive, Gladwell’s distinction between instantaneous and gradual inspiration forms a careful exploration of how we process works of art, both on a personal and cultural level.Tying an Elvis Costello record to the works of Dutch Baroque, it’s a web of philosophical connections that’s distinctly Gladwellian.
But this Boston production, which gives “What’s My Line?
The first six episodes of GE and Panoply’s follow-up to last year’s “The Message” is a sci-fi infused exploration of how we process grief.
But when “Life/After” expands from a narrow vision of obsession and despair, the results might be even more unsettling.
This introspective series, regardless of the focus, continues to be a rarity in the entertainment world.
Nate Corddry’s “Reading Aloud” departed the podcast airwaves earlier this year, but not before leaving behind a hearty collection of fiction and essays read by a fine group of actors and comedians (Aya Cash, Jimmi Simpson and Alison Pill were among this year’s guests).