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For his large bronze sculptures, Ruby forgoes grinding the welds, which retain a rainbow patina.Stoves In 2012, a series of fully functional stoves of the artist’s own design were produced.These cardboard shapes are juxtaposed with identifiable scraps of materials and objects from his studio. Bronzes Ruby's large bronze sculptures are generally poured in smaller sections, which he then joins together in an almost quilt-like fashion.Traditionally, bronze casting foundries grind the joining welds out of the final sculpture to hide this step in the fabrication process.EXHM In the series EXHM, titled with the artist's invented abbreviation for the word exhumation, The artist repurposes the large cardboard pieces used to protect the studio floor from the urethane that is poured during the creation of his urethane sculptures.Cutting into the cardboard and rearranging formal compositions he finalizes the works by inserting pictures of burial grounds, prescription packages and other found images as a way of creating an autobiographical archeology or dig site.Sterling Ruby (born January 21, 1972) is an American artist who works in a large variety of media including ceramics, painting, drawing, collage, sculpture and video.Often, his work is presented in large and densely packed installations.
For this series of works, the artist repurposes rags, fabric scraps, clothing, and denim that have personal as well as studio history.
The titles of the collage series include MAPPING, RWG, DRFTRS, TRANSCOMPOSITIONAL, SPCE, EXHM, and BC.
The artist has described collage as an “illicit merger”, suggesting a transgressive nature for the medium.
The artist has cited a diverse range of sources and influences including aberrant psychologies (particularly schizophrenia and paranoia), urban gangs and graffiti, hip-hop culture, craft, punk, masculinity, violence, public art, prisons, globalization, American domination and decline, waste and consumption.
In opposition to the minimalist artistic tradition and influenced by the ubiquity of urban graffiti, the artist’s works often appear scratched, defaced, camouflaged, dirty, or splattered.